kobosil offers up the fifth release on ostgut tons sister label unterton. after his self released debut ep >-------< a signature sound becomes apparent on the equally obscure titled >- -----< second ep, a style that places himsomewhere between noise, techno and the verve for sobriety

it is simply impossible to put a label on the sound of be svendsen. well, at least one thing can be said: his stylistic open-mindedness is just perfect for open air scenarios! seriously fun loving – that is the way in which the danish producer performs his signature sound juggling.

two years have passed since his release at sandwell district and after his remix contribution to sawf’s sand ep, belgian producer, yves de mey, returns to modal analysis with a two-track ep. the first track allures the listener to an abstract heavy sound, whereas, the second track follows a more distinct rhythmic structure. both tracks create an atmospheric environment with the use of modular sounds. the ep wraps up with a shifted club remix of the first track.

the next release on discovery recordings comes from catamaran, a young nyc based producer whos been coming to the parties and feeling the vibe. he sent us some really tite demos and we got in the studio to make them titer. the tracks are infused with the life of the city - from jackin house to lush rhodes grooves. we all love fort romeau, so we had him do a remix that takes the sound across the pond. 500 copies, hand stamped, vinyl only.

b stock - cover with a kink in the corner...bass legends total science step up with their debut ep for shogun audio and as you would expect from two of the most experienced producers in the game today, it is a fully fledged masterpiece. drawing from their wealth of abilities quiff and spinback let rip with an array of styles and moods to set sound systems ablaze the world over with shogun serving as the perfect host.

slams new three track single flawlessly encaptures the modern drumcode sound. movement trundles forward with snare rolls and funky percussion. the synth line keeps the funky groove rolling along until the snare roll break where it then crescendos effortlessly back into the track. the realms synth line weaves in and out of the beat, filtering up and down to create intensity before unleashing itself into aural pleasure. irrational numbers takes an unusual rhythmic synth pattern and creates a groove that will make the dance floor shuffle. layered with pads, the track uses depth to create a distinctive character

kelpe makes his first outing on don’t be afraid as part of their coveted dba dubs series. monte verità sees the london based beat veteran at his housiest (sic) yet. the track sports a low slung four to the floor and a deadly analogue funk bassline. kevin reynolds improvises on the original with a more upbeat outsider house groove and an acid line guaranteed to bring the dancefloor to its knees. since coming to the attention of dc recordings in early 2003 kelpe has released three albums, the latest of which *the golden eagle* dropped this year to critical acclaim. detroits kevin reynolds has consistently turned heads with his unique take on the modern house sound. as well as releases on his own nsyde recordings he has appeared on cult us imprints like todchai and love what you feel.

lying somewhere between new order, arthur baker, and giorgio moroder with the benefit of modern ears, argentine export and berlin movershaker nico purman continues to shape his ever evolving vision of sound with his new label art of memory and its debut release aom001.

black vinyl !! echo 106 debuted with the well received broken hihat machine and returns with this masterful full length. he grabs influence from classic electro, chicago house, detroit tech and throws down a distinct sound and flavor true to his own. 17 tracks total on double 12 inch vinyl. comes in a mathematics die cut sleeve.

echo 106 debuted with the well received broken hihat machine and returns with this masterful full length. he grabs influence from classic electro, chicago house, detroit tech and throws down a distinct sound and flavor true to his own. 17 tracks total on transparent double 12 inch vinyl. comes in a mathematics die cut sleeve.

after a sustained period of enviable productivity, renowned producer mark fell arrives on liberation technologies to further carve out his own singular vision of leftfield electronic music. after reviving the snd moniker with long-term collaborator mat steel in 2008, and releasing a slew of singles under the sensate focus guise, it is here that the mind behind recent sound installation *64 beautiful phase violations* delivers his most visceral work yet, melding angular electronics and skittering rhythms into a sonic palette that is undeniably his own. treading an equally as distinctive path throughout their illustrious career, japanese experimentalists boredoms contribute their own vision of parts 1-7, an inspired pairing that is offered up in advance as a tantalising glimpse into the forthcoming record.

steve lees (the project club) above machine label returns after 003s massive *love disguise* from vendetta suite. this fourth release comes courtesy of acclaimed italian duo almunia. their celebrated output through paul mudd murphys claremont56 label, including the recent superb pulsar lp has seen the their blissful & uplifting balearic sound expand and evolve beautifully. one time is a gorgeous slice of the same, and conjurs up gentle sea breezes and long summer days perfectly.

valerio dittrich aka motsa grew up in the scottish highlands surrounded by various styles of british electronic music. this period of his life, and a lust for soulful music from any country or continent, has clearly left marks in his production style today. through the years he has collaborated and experimented in various genres to keep his output versatile. his current sound is somewhere between glitchy yet dance floor oriented beats and bass driven electronica.
includes remixes by roman rauch and lupo and a code for free download of this release.

paul ritch is no stranger to drumcode and has returned with an outstanding single featuring three tracks that will dominate dj sets. the first track >run baby run< entertains us with an arpeggiated chord sequence that is accompanied by percussion-like synth sounds before bursting into a thick-layered sequence of sound. the dark and dubby side of the single sees pauls > astral< bring a funky sleazed out groovy track that also uses a discerning melody.

goldffinchs well received model ep from 2012 gets a rework for 2013. on the a side dutch house and techno legend, dexter, turns let me see into a driving, analog beast. while on the flip fresh faced finnish duo femme en fourrure take on the original title track, model, and inject it with their signature gritty and sleazy sound. the remix 12 inch comes as a yellow coloured limited edition, hand-stamped vinyl only release.

the second ep from >shiki kyokai< a new label founded by dj shufflemaster (tatsuya kanamori, kanamori) for the first time on analog disc, this is a 2004 remix by dj shufllemaster as >housedust sound system< of an original, progressive house track with soulful vocals, by the mysterious artist raysbelonging to liquid recordings, a label run by liquid room, one of the most important clubs / music venues in japan. the original house beat is deconstructed into a psychedelic soundscape full of wah-wah and feedback guitars... this is the starting point of what links with the concept of the shiki kyokai label!

spanish based uner has been a solid part of diynamic for the past 4 years now, contributing amazing tracks and sets (live and dj). his new release four consecutive is a long awaited ep featuring two completely new uner tracks. and when we say completely new, we mean it! the more analog sound and density of the tracks create a deeper and darker sound, proving uner is completely on top of the direction house music is going these days.

its only early july, but 2013 has already proven to be a landmark year for production/dj duo deepa & biri. with a couple of their tracks being released on transmat records and appearing on derrick mays mix compilations on the one hand, while on the other, getting signed to dj hells international dj gigolo records, where they released a single in april and have a full album forthcoming mid-september it seems that all corners of the techno diaspora are ready to catch up on their sound.

20 years ago the track unfuture, released on sven väths imprint eye q, marked a milestone in technoproductions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has!

good things come to those who wait: the second release on the crazylegs label finally arrives in the form of an incendiary solo debut from nottinghams toyc. thats toy see — a name youre likely to hear popping up quite a bit over the coming months fresh from guest appearances on boiler room and bbc radio 1, ruffer and keyframe represent a bold snapshot of toycs unique sound: two dangerous slabs of light-footed, elastic bassweight that you may well recognise from the sets of jackmaster and ben ufo backing up the originals, an old vs new-skool grime soundclash, if you will — 8 bar pioneer youngstar and thrilling belfast newcomer bloom run amok with versions of keyframe. and finally the inimitable danny native twists ruffer into one of the most menacing pieces of dance music youll hear all year

vicissitude - zu deutsch wandel, wechselhaftigkeit, unbeständigkeit - ist der titel des neuen, dritten albums von maps alias james chapman, das anfang juli auf mute erscheint. schwang im zweitling *tuning the mind* noch der hedonismus des mercury price nominierten erfolgsdebüts *we can create* nach, vermittelt das wunderschöne indie-rock/pop-album *vicissitude* nun die unmittelbare konfrontation chapmans mit der realität: *writing and recording coincided with quite a lot of things in my life changing. although things are good for me now, every song on the record comes from a long period of me having to take stock, to start again almost. i took myself out of everything and had a hard look at what i wanted to do and where i wanted to take maps.* den letzten feinschliff der platte übernahmen produzent und sound engineer ken thomas (sugarcubes, m83, sigur ros), der zuletzt auch an *we can create* mitarbeitete, und sein sohn joylon, der schon als programmierer und produzent für bands wie s.c.u.m. und telepathe aktiv war.

due to its black color, the raven was often a harbinger of death in western culture, brought to you in conjunction with dark deeds. but according to native american medicine teachings, light comes out of darkness and the color black is associated with the source of all energy, creating new realities - with the raven as its messenger. silky raven, namely jakob seidensticker and henrik raabe, have dedicated their work to this process with projects like the havana boys, seidensticker/salour and wareika. on the remix duties we first have october, who delivers an homage to the lfo-influenced sound of the 90ies, raw and pure. and second we have a remix by visionquests shaun reeves and jay haze, who join forces to create a dubtechno- influenced pearl, perfectly rounding up the package.

double 12 inch vinyl plus free download code.
hailing from yorkshire, but now based in london, bobby krlic, the multi-instrumentalist behind the haxan cloak released an incredible self titled debut album on aurora borealis in 2011, a record that blew away pretty much everyone who happened to hear it. fusing a rare talent for classical composition with a passion for exploring serrated electronic, drone textures, the haxan cloak’s cinematic, complex sound is not an easy one to fully explain in words alone.

nice price deal !!! no-neck blues bands pat muranos rigorous & freewheeling cavalcade of bizarre sound events baffle & beguile. 21-min a-side is a fungal, fractured, dream-fever soundtrack. 20-min flip starts like a minimal techno banger & morphs into ruptured ambiance

bunker, creme org., mathematics to name a few labels, who andreas gehm aka elec pt.1, the man from cologne, releases his output the last years. after the ep the exaltics meets elec p.1 early 2013, solar one music is happy to announce his fantastic longplayer black pukee. 12 tracks on the edge of early dark jackin acid, chicago house and uncompromising underground techno and you can clearly hear his passion for the purest 303 sound. double lp presented in full printed cover artwork. are u ready for gehm?

peel back the leaves and discover erskine falls, an exotic paradise of flotation tank funk and ethno groove with a capital g. produced by melbournes andras fox, the 4-track ep follows an instant sell-out on dopeness galore and captures the rbma graduates contagious bounce and optimistic minimal melodies. based around the tr-606 and digital korg m1 drums, these original tape recordings are simultaneously contemporary in sound and difficult to carbon date, slipping comfortably between 80s bruton music, rheji burrell and dam funk. dunk your head in and chill.

special nice price action - 3rd release of copenhagen based aeaoeaa is a split ep composed and produced by artists philip nicolai flindt and emil alenius boserup. tenant delivers a sample based dusty house track. with a strong vintage-sound and an on-going chord-theme, tenant has strong references to classical techno/house and at the same time modern discofied beats. lager enters a darker universe with a straight forward beat and a noizy detuned chordtheme. straigh arrangement with an exploding bass figure. lager earns it dues in the deep frequencies

humans latest ep emerges with obvious maturation, each track carrying a depth of sound, evolved production, and focused vision, while never straying from their early commitment to make music for the dancefloor. the duo recently played sxsw and cmw and are set to tour with young empires this summer.

aluna george are excited to present their hotly anticipated debut album. featuring the brilliant your drums, your love, just a touch and the anthemic you know you like it the duos debut has proven to be one of the most eagerly awaited albums for 2013. its been a massive year for the london based band following their mobo, brits critics choice and bbc sound of 2013 nominations with only two official releases in the bag.

nutia arrangiert flickenlose tanzteppiche. warme bässe, flirrende atmosphären und ein ausgepägtes gespür für groove in seiner essenziellsten form. mit der nötigen coolness hat der dj aus hamburg seine eigenständigkeit und einen homogenen sound entwickelt. sein neuestes werk >papo< bietet einen soundtrack für drinnen, für draußen und für alle jahreszeiten. das ganze wird ergänzt durch großartige remixe von lake people und hannes smith.

crazy nu space vs nu wave vs electro vs cosmic vs balearic vs krautrock vs...

the world bringing 3 new emerging acts to the label, the summer sampler sets the tone of the future sound of colourful. hot and keen yet musical, the selection captivates different moments of the club night as imagined in the head of tobias linden. from the gorgeous builder that is flipside to the thick rolling anima onto the peak time percussive arcadia, closing with the piano laden tell the world - this is a ride well worth catching.

canadian artist carlo lio makes his first appearance on the saved imprint, delivering his unique sound with >what it is<. possessing a lot of energy with its warm, rolling bass line, the track builds and then moves into an intense drop, characterised with the twisted vocals, oscillating effects and trippy strings. over on the flip, french house producer phil weeks demonstrates why he is one of the best producers in the game, delivering a remix that seals the package of perfectly

special nice price deal!
- slightly harder sound this time out, with a deep and dark tech house vibe rich with ominous synths and engaging effects that subtly build and build. flip for an even more techno slanted sound with manic synths, and detroit flavored rhythms that burst into an energized tech house finish. these guys are definitely fine tuning their sound

the 7th sccucci manucci ep kicks off in moustache curling style with a scandinavian slice of four / four action from tarjei nygard. on loan from his own untz untz records, tarjei nygard weaves his way way through beautifully recorded synth bleeps and bass lines on togo, culminating in a piano breakdown which will have any party reaching for the lasers. the scandinavian vibe continues as dane brian logstrup comes correct with the classic slab of deep house sound that is i can dowhilst we return to the uk and the sounds of london producer mella dee whose uk garage and bass influences shine through on the peak time monster love is. last seen debuting on buzzin fly, alex blaxx rounds off proceedings with the wonderfully insouciant house of its a race thing

with its consistent concept of a single synthetic sound freiland is voigts most important project of this kind

- enoe is one half of the production duo background sound, with releases on join the dots and more recently on the percussion lab cambio compilation.
- rudimentary records are pressing up a piece of wax which will feature * do em dirty* and * top bill

new yorks heavyrocker präsentieren den nachfolger ihres sensationellen debuts. schwere riffs in kombination mit kraftvollen vocals – performed von vier musikern der extraklasse. pissed and driven bietet erneut exzellentes songwriting und das gefühl der band für den treffsicheren sound. das neue album verspricht einen modernen, fetten sound, der dabei nie seine wurzeln im traditionellen hard rock und heavy verleugnet.die 10 neuen songs verbinden die sympathie der band für thin lizzy und judas priest mit dem wuchtigen druck von black label society und kreieren so den einzigartigen sound von black water rising

anfang august erscheint die debüt-single der hamburger produzentin und dj helena hauff auf werkdiscs! ihre clubnacht birds and other instruments im legendären pudel club erfreut sich großer beliebtheit, und helenas sound bewegt sich irgendwo zwischen dirty acid, chicago house, electro und wave. klasse einstand auf werkdiscs!

own label of the american artist r. datri aka realmz producer/dj/frequency architect in the realm of techno, electro, experimental, ambient, post industrial and various other ineffable sound creations.tending toward cinematic, surrealistic, dream like worlds with a strong focus on sound design and vibe.

independent record label based in santander, created to accommodate a form of thinking and understanding electronic dance music. focusing on fresh sounds industrialized tapping the best techno sound the founders of this young brand are miguel rey & trevor klap better known as akasoundsite.

2013 repress / release number 6 from our label brings us oscar muleros latest work, proof that the new sounds hes experimenting with do not constitute at all a departure from his command of the rawest side of the purest techno. horses, oscar muleros new ep, takes us back to the mulero that the majority of the public will recognise, to the overwhelming sound that has led him straight to the top over the past two decades. the record opens with like a wolf: broken drum beats, sharp hats, fm basses and dynamic white noise drones whose energy never falters throughout the track. horses, the second track, gives the record its name and offers intricate rhythm programming, dark atmospheres and acid sounds that, as a whole, create a mental and hypnotic feeling. the closing track is in a silent way, which runs along similar lines to the previous two, but with less bpms and with an obsessive sequence that mutates and develops throughout the track leaving the listener with a mills aftertaste, but with a berliner touch.

landshapes is the sound of four people in a dingy practice room, building on accidents, listening over and reworking obsessively until every band member is satisfied. an unconventional and serendipitous a process it might be, but it is crucial to landshapes overall sound.
their debut album rambutan – the name chosen *not so much after the fruit but for the sound the word makes* and produced by ash workman is a distillation of songs old and new, re-worked and fine tuned with a deft precision.
vinyl lp includes cd-version of the album.

after 17 years at the top of its game chronic is undergoing an evolution. from its beginnings as an undercover outlet for some of the scenes biggest names chronic has always kept its feet firmly on the dancefloor. with d&b now commercially accepted the world over, 2013 sees one of the scenes original no frills labels reborn, with a new look and a renewed passion to cater strictly for the underground on which this scene is built.
a new roster of fresh talent joining forces with established artists to produce what can only be described as raw, uncompromising drum & bass. switching between straight up rollers, deeper darker beats and dancefloor smashers. 4 huge tracks taken from the 20 track chronic rollers album this double pack gives a snapshot of the chronic sound, and you need that sub turned up loud to feel these – these tracks are not for daytime radio!
club support: bailey, bryan gee, crissy criss, dj hype, sub focus, dj marky, dj krust, dj craze and more!

chris mitchell is back on plan b recordings for his third ep with the new york underground crew who has been churning out deep, raw and original house and techno! label bosses, dj spider & dakini9 supply remixes of both tracks from mitchell. the vanguard sound crew strikes again!

moderat sind apparat (sascha ring) und modeselektor (gernot bronsert und sebastian szary). hier der bedächtige klangtüftler und pop-poet, dort die beiden techno-b-boys. beide acts stehen für die berliner elektronikszene jenseits der geraden bassdrum. modeselektor sind die großmeister der unterirdischen bässe und elektrisierenden breakbeats, apparat ist der feingeist der elektronischen popmusik. die verweigerung, sich mit dem vorhandenen abzufinden, schweißt die drei in einer künstlerfreundschaft zusammen. auf dem ersten album definierten sie 2008 den moderat-sound. wobbelnde bässe und zuckende beats auf der einen seite, apparats filigrane stimme auf der anderen: gerade der extreme kontrast erschuf das einzigartige moderat-gefühl. in den nächsten jahren wurden beide acts zu international bekannten künstlern. sie definierten mit bahnbrechenden alben den elektronischen sound der zeit. heute ist das spektrum emotional und stilistisch größer geworden. es gibt keine grundstimmung mehr. in elf tracks erzählen moderat ein facettenreiches und doch kompaktes epos. sie sind verführer und hooligans, grübler und partysäue. in ihrer welt sind partytaumel und tiefsinn kein gegensatz. sie lassen kein kapitel ihres elektronischen und ihres analogen lebens aus. im clash zeigen diese großen musikerpersönlichkeiten neue charakterliche facetten. so ist in dieser wiederbegegnung eines der großen alben der elektronischen popmusik entstanden.

*foundation* is the new ep from especially good, the most exciting band from detroit in recent memory. the eight track ep showcases the trios dynamic energy of julio dominguezs vocals, joe flis synthesizers and drum programing and paul kirys bass - culminating in songs that are equally raw, brutal and honest. the sound of e.g. exists in a space of its own, but one can hear influences of throbbing gristle, factory records and detroit techno in the rhythms and sonic textures throughout *foundation*. recorded and mixed in detroit by sam consiglio and adam lee miller (of adult). released on est. 83 records

leading up to the release of their next album, tribazik return with the remx ep spacetime collapse, featuring remixes from such electronic royalty as venetian snares. tribazik are no newcomers to the spotlight. having supported influential post punk band killing joke on their european tour and having previously enjoyed reviews from rock sound, kerrang and terrorizer on their last album all blood is red, mixed by andy gill, of gang of four, the band are establishing themselves as a force to be reckoned with.

meditative, absorbing dance music in true moritz style — at times seemingly transfixed by its own elements, and minimal almost to vanishing-point, but quickly back ticking, kicking and amassing, with the lethal dubwise density of the classic berlin sound. twelve minutes long, trenchant and forbidding but sharply alive, the dub itself is a kind of deep fort-da gambit which scoops your brain out for a quick sluice, before replacing it slightly skewiff. dont drop your guard because of the tresor.